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Melbourne Digital Concert Hall: Nat Bartsch – Hope and Lullabies

by Julie McErlain 28th October, 2021
by Julie McErlain 28th October, 2021

What a refreshing and beautiful atmosphere was created in Athenaeum 2 by composer Nat Bartsch’s solo piano performance of her captivating, most gentle and serene compositions. She chose selections from the two highly acclaimed and well-loved albums, both ABC releases, both nominated for an ARIA award – Forever More (Best Jazz Album, 2020) and this year, Hope (Best Classical Album 2021).

While pregnant with her first child, Will, Bartsch was drawn to exploring the elements of music that are so therapeutic for both children and adults, and was inspired to compose a set of instrumental “lullabies”, artistically drawn from her knowledge and love of classical, jazz and contemporary genres. This program was a most honest, pure and engaging presentation, especially being a celebration of the piano as a rich source of tonal beauty, and an eternal fascination for humans of all ages. “Hope and Lullabies” – what a most relevant and valuable musical experience these unique pieces are able to offer in a world where tension, questioning, noise, speed and anxiety have become the norm. In the words of the composer, central elements of the traditional lullaby were connected to music therapy – “repetition, simple melody and harmony, soft sounds, tempos similar to a mother’s heartbeat. I kept coming back to my goal – to make an album that would not only soothe a baby, but an adult.” These lullabies have been streamed over four million times across the world, soothing, calming, touching, needed, applauded.

Very impressionistic was the introductory short relaxation, Breathing In And Out, a descriptive exercise with small, low beginnings, gentle patterns ascending from low to high, growing in confidence and colour. No child or audience member could have resisted the engagement. For Guy Smiley, Bartsch imitated the colours of a toy piano, with a gentle metallic shine given to a free, spatial, high lyrical melody, with her left hand providing her favourite device, hypnotic rocking ostinato patterns.

Speaking to the audience, Bartsch spoke of the influences along her compositional path, the neo-classicists such as Max Richter, and her long experience in improvising, studying and playing jazz, which could be felt in exploratory, non-symmetrical melodies and polytonal, lush chords. So calm and quietly secure were the gentle rhythms of softly blanketed and varied ostinato patterns, we were able to become lost in the melodic patterns that floated in a borderland between keys. The dozen beautifully created pieces from the collections Forever and No Time At All ended with the appropriately titled piece, Emerging. Our quest for freedom felt quietly assured, with rising exploratory melodies, fuller textures, subtle harmonic relationships and Debussy-like gliding chords.

Bartsch has created an “essential service” where the beauty and simplicity of rhythm and uniquely designed and exquisite lyrical melodic patterns make her contemporary piano lullabies a rare and welcome experience. Thoughtfully written with a highly economical and concise language, these pieces will grow with new colours added in her future ensemble performances as we hear more of her distinct and special voice. Tonight’s music certainly gave us starry skies and a taste of dreamland.

Photo supplied.

__________________________________________________________

Julie McErlain reviewed “Hope and Lullabies”, performed by composer Nat Bartsch, and live-streamed from Athenaeum 2 by Melbourne Digital Concert Hall on October 27, 2021.

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Julie McErlain

Julie McErlain has a passionate love of and involvement with many kinds of music. Classically trained, she completed a bachelor of Music at the University of Melbourne with Honours in Piano and Composition, also studying oboe, percussion and guitar, and completing a sub-major in English. She supported herself as a student playing at Ballet Victoria and Australian Ballet schools, in musical theatre groups and in the wider entertainment industry as a solo pianist, and in a wide variety of classical, popular, folk and jazz ensembles. She has an active involvement in performing regularly in classical music concerts, jazz and contemporary music, also playing the saxophone and creating the first Women & Jazz festival and workshop series in Melbourne in 1981. Always a music teacher, conductor, concert and festival goer, Julie was Music Concert Reviewer for the Warrnambool STANDARD for three years, covering all styles of major music performances, promoting local music and reviewing major Australian artists and companies. She loves having the opportunity to hear new music, be inspired and challenged to use her creative writing skills, and contribute to promoting unique musical performances.

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Songmakers Australia: Schwanengesang

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August 6 @ 7:30 pm - 9:00 pm

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Flinders Quartet Concert 2

August 7 @ 2:30 pm - 3:30 pm

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Corpus Medicorum Concert #3

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

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Stewart Kelly – Schubert’s Swansong

August 8 @ 6:00 pm - 7:00 pm

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Melbourne Guitar Quartet – Flow My Tears

August 11 @ 6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

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Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

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The University of Melbourne Symphony Orchestra

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

The University of Melbourne Symphony Orchestra’s third concert of the year takes us through works by Benjamin Britten, Don Bank, and…

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Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

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Real and Right and True – Lotte Betts-Dean and Calvin Bowman

August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

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The Friends of the Auburn Tower Inc presents Wanderlust, featuring Elyane Laussade, piano, and Luke Severn, bass baritone, in a musical…

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August 1 @ 1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

August 1 @ 6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

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Mostly Mozart – Musical Mavericks

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August 6 @ 7:30 pm - 9:00 pm

Ray Chen

August 7
August 7 @ 2:30 pm - 3:30 pm

Flinders Quartet Concert 2

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

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Stewart Kelly – Schubert’s Swansong

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August 11
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Melbourne Guitar Quartet – Flow My Tears

August 14
August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

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August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

September 4
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Melbourne Guitar Quartet – Flow My Tears

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Rutter’s Requiem and the 16th RMP Aria Final

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Rutter’s Requiem and the 16th RMP Aria Final

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