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Melbourne Digital Concert Hall: Light and Shadow – Kalina Krusteva and Stefan Cassomenos; Promenade – PLEXUS

by Julie McErlain 8th November, 2021
by Julie McErlain 8th November, 2021

Live audiences are back!

Melbourne’s reputation for holding a record number of lockdown days and wildly unpredictable Spring weather patterns was proven this year. How wonderful it was to become “normal” again, with live audiences enthusiastically supporting the two short “back-to-concerts” in the Athenaeum theatre, the established home of the Melbourne Digital Concert Hall. “Back-to-back” Shostakovich pieces in the two concerts of 20th century music, was well considered programming, featuring Stefan Cassomenos on piano in both ensemble programs.

Light & Shadow brought cellist Kalina Krusteva and Cassomenos together to explore the contrasting colours of French impressionism and Russian themes in two popular cello sonatas.  It was a great delight to hear and see the highly acclaimed international soloist and chamber musician Krusteva perform Debussy’s Sonata for Cello and Piano in D minor (1915), a popular work, loved for its innovative and engaging design, especially the beauty and meaningfulness of the descending motifs of the magnificent Prologue. The technical demands of the following Serenade and Finale movements were mastered with ease and enjoyment by this mature partnership – virtuosic performers whose rhythmic work glided smoothly together. Most admirable were the varied special effects on the cello, colourful bowings and incisive pizzicato, rapid staccato and glissandos, and short bursts of a modern rhythmic language required in the many sudden changes of tempo.

Equally marvellous was Shostakovich’s Sonata for Cello & Piano Op 40 (1934), also in D minor.  This grand four-movement work was performed with class, and the composer’s widely spaced textures and extreme range of tonal registers were clear and balanced. The final allegro showed hints of being a theatrical burlesque affair, an escapade for virtuosic and colourful musicians whose copycat alternating themes raced to a quirky and surprising close. The closing work, the contrasting popular Romancefrom the Soviet film The Gadfly (1955) offered warm comfort for audience members daring to brave Melbourne’s wild wind and rain outside.

After a short “interval”, the second concert – Promenade – flowed meaningfully from Light & Shadow, opening with three refreshing and warmly coloured pieces from Suite for Jazz Orchestra No. 1 of Shostakovich, arranged by Cassomenos. The pianist returned to the stage with PLEXUS trio members – Monica Curro (violin), Philip Arkinstall (clarinet), and guest cellist Michelle Wood, adding a new palette of orchestral colours and sparkling couture befitting the jazz and dance styles to come.

The quartet quickly established a suitably nostalgic aura by exuding the rich timbres of an orchestral dance band. Waltz was sensuous and theatrical, straight ahead and nostalgic. In Polka Cassomenos imitated orchestral percussive tones, while Arkinstall surprised an appreciative audience with his castanet playing. The nostalgia continued in Foxtrot, with a soft clarinet luring us easily into a smoky European bar, where Curro’s violin added the character and personality required in every inspiratory dance band.

PLEXUS concerts have been a significant launching place for premier performances of new Australian compositions. They welcomed two audience members (Chris Arnold and Margot Costanzo), who had responded to PLEXUS’ commission for music composed by Elena Kats-Chernin, paying “a tribute to 100 years of Tango”. Take Me Along, an exotically flavoured work in six movements resulted. It is hard to escape a taste of Piazzola in contemporary settings of these traditional dance rhythms, but the enthusiasm and artistic skills of PLEXUS gave these pieces much buoyancy, sensuality and flair. Claritango was true Kats-Chernin, with brightly coloured melodies and syncopated traditional rhythms, while Tango Insistente played around with ensemble orchestrations, developing highly energetic chromatic passages, and pairing violin and cello in pizzicato partnership. In Tango Mysterioso cello and clarinet danced a low, slow and sultry dance, which broadened into a more sophisticated dance as accented piano and violin tones increased the orchestral feel. A magical ending came as each instrument faded with sparse, conversational fragments. Tango Chase sent the piano into more assertive sweeping passages across the whole keyboard, as energetic rhythms and time changes created a new form. With My Little Song sparse and gentle melodies were again shared around; cello and a velvety clarinet solo were featured, and instruments were paired in varied combinations. A final Contrapatango became an exciting gallopede, with busy overlapping and echoing melodies and a full display of joyful rhythmic energy from the “almost dancing” performers.

These two short concerts wonderfully celebrated the return of live audiences in Melbourne, along with the important collaboration of musicians, MDCH directors, technical crew, composers and generous supporters of commissioned works.

Photo supplied

__________________________________________________________

Julie Mc Erlain reviewed Light & Shadow, performed by Kalina Krusteva & Stefan Cassomenos, and Promenade, performed by PLEXUS, at the Athenaeum Theatre on November 3, 2021.

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Julie McErlain

Julie McErlain has a passionate love of and involvement with many kinds of music. Classically trained, she completed a bachelor of Music at the University of Melbourne with Honours in Piano and Composition, also studying oboe, percussion and guitar, and completing a sub-major in English. She supported herself as a student playing at Ballet Victoria and Australian Ballet schools, in musical theatre groups and in the wider entertainment industry as a solo pianist, and in a wide variety of classical, popular, folk and jazz ensembles. She has an active involvement in performing regularly in classical music concerts, jazz and contemporary music, also playing the saxophone and creating the first Women & Jazz festival and workshop series in Melbourne in 1981. Always a music teacher, conductor, concert and festival goer, Julie was Music Concert Reviewer for the Warrnambool STANDARD for three years, covering all styles of major music performances, promoting local music and reviewing major Australian artists and companies. She loves having the opportunity to hear new music, be inspired and challenged to use her creative writing skills, and contribute to promoting unique musical performances.

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  • August 2022

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2 events, 1

1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

August 1 @ 1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

Program Franz Schubert Schwanengesang D 957 Songmakers Australia Schubert’s last song cycle was published after his untimely death at the age of…

Free
6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

August 1 @ 6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

A performance of cherished works and Gallic beauty. About the artists Seraphim Trio is as much a lifelong friendship as a…

$40 – $50

0 events, 2

1 event, 3

11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

August 3 @ 11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

Riveting passion balanced with delicate lyricism. About the artists Scottish born James Crabb is widely regarded as one of the world’s…

$42 – $49

0 events, 4

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1 event, 6

7:30 pm - 9:00 pm

Ray Chen

August 6 @ 7:30 pm - 9:00 pm

Ray Chen

World-renowned violinist Ray Chen makes his long-awaited return to Australia with some of the most demanding, impressive, and emotionally riveting works…

$65.55 – $159

2 events, 7

2:30 pm - 3:30 pm

Flinders Quartet Concert 2

August 7 @ 2:30 pm - 3:30 pm

Flinders Quartet Concert 2

Join Flinders Quartet for the sumptuous romanticism and grandeur of Brahms, and the ingenuity and wit of Haydn. Thibaud Pavlovic-Hobba -…

$29 – $38
5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

Corpus Medicorum Rebirth 2022 Concert Series. Artists Charlotte Miles cellist Keith Crellin OAM conductor Program Edward Elgar Cello Concerto, Op.85 Antonín Dvořák Symphony No.7…

$10 – $60

1 event, 8

6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

August 8 @ 6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

A journey to the corners of human experience with Schubert’s Schwanengesang. About the artists Stewart Kelly is one of Australia’s most sought-after…

$40 – $50

0 events, 9

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1 event, 11

6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

August 11 @ 6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

Innovative arrangements, technical flair and superb playing. About the artists Melbourne Guitar Quartet have carved out a reputation for curating utterly…

$40 – $50

0 events, 12

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3 events, 14

3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

$25 – $56
5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

The University of Melbourne Symphony Orchestra’s third concert of the year takes us through works by Benjamin Britten, Don Bank, and…

Free
7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

$25 – $56

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1 event, 20

2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

"Real and Right and True" - a celebration of the art song tradition of Australia and the United Kingdom. Lotte Betts-Dean,…

$10 – $35

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3:00 pm - 4:30 pm

Wanderlust

September 4 @ 3:00 pm - 4:30 pm

Wanderlust

The Friends of the Auburn Tower Inc presents Wanderlust, featuring Elyane Laussade, piano, and Luke Severn, bass baritone, in a musical…

$20 – $35
August 1
August 1 @ 1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

August 1 @ 6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

  • There are no events on this day.
August 3
August 3 @ 11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

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  • There are no events on this day.
August 6
August 6 @ 7:30 pm - 9:00 pm

Ray Chen

August 7
August 7 @ 2:30 pm - 3:30 pm

Flinders Quartet Concert 2

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

August 8
August 8 @ 6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

  • There are no events on this day.
  • There are no events on this day.
August 11
August 11 @ 6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

August 14
August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 20
August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

September 4
September 4 @ 3:00 pm - 4:30 pm

Wanderlust

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August 14
August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

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August 20
August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

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September 4
September 4 @ 3:00 pm - 4:30 pm

Wanderlust

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