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Greta Bradman: Four Last Songs

by Heather Leviston 26th August, 2017
by Heather Leviston 26th August, 2017

Australian National Academy of Music has once again produced one of the most satisfying concerts of classical music on offer. Although the main attraction was Greta Bradman’s performance of Richard Strauss’s iconic Vier letzte Lieder (Four Last Songs), other less familiar works written by German-speaking composers in the first half of the twentieth century were of exceptional interest.

Arnold Schoenberg’s twenty-two minute Chamber Symphony No. 1, op. 9 gave an accomplished ensemble of five string and ten wind players ample opportunity to demonstrate that the future of classical music is in safe hands. Under the expert guidance of Matthias Foremny (currently Principal Guest Conductor of the Leipzig Opera House and Principal Conductor of the Stuttgarter Kammerorchester), the young musicians met the notorious challenges of balance and intonation to create a coherent musical landscape that commanded attention.

Foremny brought an interesting, more personal note to the concert in his introduction to the Schoenberg and in his comments about Strauss as the stage was reset for a much larger ensemble. The lushness of the orchestration and emphasis on soaring melody for the so-called Four Last Songs was in stark contrast to the previous work and made it difficult to believe that Strauss’s 1947-48 work came 42 years after Schoenberg’s elusive tonality.

There was a great deal to admire in Bradman’s interpretation of Strauss’s gift to sopranos. Even so, certain vocal characteristics divided listener opinion. Her tone can be overly covered and diction sacrificed to vocal line, which sometimes inhibits full expression of textual meaning. The resonant acoustic of the South Melbourne Town Hall is generally kind to performers, but can prove problematic. In the first song, Früling (Springtime) a sudden, penetrating lunge in volume on the top notes might have been less out of place in a dryer acoustic. Despite these reservations, at its best, Bradman’s singing was simply wonderful, especially in the softer surging phrases of Beim Schlafengehen (Going to Sleep). Passages of exquisite floating tone had many thinking that this was just about as good as singing gets. A glowing presence and uncommon physical beauty are integral to her general expressiveness and added to the pleasure of the musical experience. William Huxtable made a sensitive contribution to the final song Im Abendrot (At Sunset) with his violin solo.

Following interval, Bradman sang Marietta’s Lied from Erich Korngold’s Die tote Stadt. A popular aria much favoured by sopranos for its emotional lyricism, it is possibly the single reason why the general public has become aware of this opera. Prefaced by some beautifully delicate playing from the orchestra, Bradman gave a committed performance, adorned by soft singing that took the breath away. Apart from the need for a little more breadth and elasticity, the orchestral playing was, again, very accomplished.

The final two works brought significant depth to the program. Unfortunately, neither the transformation scene from Strauss’s opera, Daphne, nor the Suite from Kurt Weill’s opera Der Silbersee, are often performed in Melbourne. Both the singing and playing of Strauss’s miniature tone poem demonstrated that this work deserves much greater attention. ANAM students were at their excellent best for Weill’s last German work, written in 1932-3. Within the six contrasting numbers the orchestra maintained a sense of style that highlighted the bittersweet satirical edge. From Huxtable’s graceful violin solo in Das Lied der Verkäuferinnen (Song of the Shopgirls) to the powerful brass and lower strings of Das Lied von der Rache (The Song of Vengeance) and the dramatic outbursts of the Finale, it was a riveting performance that negotiated the twists and turns of Weill’s compelling score with considerable finesse.

Having a repeated performance is unusual for ANAM, but essential given the public’s enthusiasm for their resident soprano and the exceptionally high standard of the ANAM orchestra.

______________________________________________________

Heather Leviston reviewed Greta Bradman: Four Last Songs with the Australian National Academy of Music Orchestra at South Melbourne Town Hall on Saturday August 19, 2017.

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Heather Leviston

Heather Leviston has devoted much of her life to listening to classical music and attending concerts. An addiction to vocal and string music has led her to undertake extensive training in singing and perform as a member of the Victoria State Opera chorus and as a soloist with various musical organisations.

As a founding academic teacher of the Victorian College of the Arts Secondary School, she has had the privilege of witnessing the progress of many talented students, keenly following their careers by attending their performances both in Australia and overseas.

As a reviewer, initially for artsHub, and also for Sounds like Sydney, she has been keen to bring attention to the fine music-making that is on offer in Australia, especially in the form of live performance. Heather is a valued member of Classical Melbourne’s editorial team, with her reviews of opera and vocal music valued by performers and audiences alike.

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  • August 2022

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1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

August 1 @ 1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

Program Franz Schubert Schwanengesang D 957 Songmakers Australia Schubert’s last song cycle was published after his untimely death at the age of…

Free
6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

August 1 @ 6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

A performance of cherished works and Gallic beauty. About the artists Seraphim Trio is as much a lifelong friendship as a…

$40 – $50

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1 event, 3

11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

August 3 @ 11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

Riveting passion balanced with delicate lyricism. About the artists Scottish born James Crabb is widely regarded as one of the world’s…

$42 – $49

0 events, 4

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1 event, 6

7:30 pm - 9:00 pm

Ray Chen

August 6 @ 7:30 pm - 9:00 pm

Ray Chen

World-renowned violinist Ray Chen makes his long-awaited return to Australia with some of the most demanding, impressive, and emotionally riveting works…

$65.55 – $159

2 events, 7

2:30 pm - 3:30 pm

Flinders Quartet Concert 2

August 7 @ 2:30 pm - 3:30 pm

Flinders Quartet Concert 2

Join Flinders Quartet for the sumptuous romanticism and grandeur of Brahms, and the ingenuity and wit of Haydn. Thibaud Pavlovic-Hobba -…

$29 – $38
5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

Corpus Medicorum Rebirth 2022 Concert Series. Artists Charlotte Miles cellist Keith Crellin OAM conductor Program Edward Elgar Cello Concerto, Op.85 Antonín Dvořák Symphony No.7…

$10 – $60

1 event, 8

6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

August 8 @ 6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

A journey to the corners of human experience with Schubert’s Schwanengesang. About the artists Stewart Kelly is one of Australia’s most sought-after…

$40 – $50

0 events, 9

0 events, 10

1 event, 11

6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

August 11 @ 6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

Innovative arrangements, technical flair and superb playing. About the artists Melbourne Guitar Quartet have carved out a reputation for curating utterly…

$40 – $50

1 event, 12

7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

August 12 @ 7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

Wicked magicians, unrequited love, and human sacrifice for a bountiful spring – these ballets have it all! The MSO travels through…

$64 – $119

1 event, 13

7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

August 13 @ 7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

Wicked magicians, unrequited love, and human sacrifice for a bountiful spring – these ballets have it all! The MSO travels through…

$64 – $119

4 events, 14

3:00 pm - 4:00 pm

The Lieder Society of Victoria: Erwartung – Markus Matheis & Dean Sky-Lucas

August 14 @ 3:00 pm - 4:00 pm

The Lieder Society of Victoria: Erwartung – Markus Matheis & Dean Sky-Lucas

"Erwartung" Markus Matheis & Dean Sky-Lucas In this recital ERWARTUNG (expectation) Markus Matheis and Dean Sky-Lucas present a concert which chronicles…

$20 – $25
3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

$25 – $56
5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

The University of Melbourne Symphony Orchestra’s third concert of the year takes us through works by Benjamin Britten, Don Bank, and…

Free
7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia’s pre-eminent competition for oratorio soloists.…

$25 – $56

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1 event, 20

2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

"Real and Right and True" - a celebration of the art song tradition of Australia and the United Kingdom. Lotte Betts-Dean,…

$10 – $35

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3:00 pm - 4:30 pm

Wanderlust

September 4 @ 3:00 pm - 4:30 pm

Wanderlust

The Friends of the Auburn Tower Inc presents Wanderlust, featuring Elyane Laussade, piano, and Luke Severn, bass baritone, in a musical…

$20 – $35
August 1
August 1 @ 1:00 pm - 2:00 pm

Songmakers Australia: Schwanengesang

August 1 @ 6:00 pm - 7:00 pm

Seraphim Trio – Gallic Charm

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August 3
August 3 @ 11:30 am - 12:40 pm

Mostly Mozart – Musical Mavericks

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August 6
August 6 @ 7:30 pm - 9:00 pm

Ray Chen

August 7
August 7 @ 2:30 pm - 3:30 pm

Flinders Quartet Concert 2

August 7 @ 5:00 pm - 7:00 pm

Corpus Medicorum Concert #3

August 8
August 8 @ 6:00 pm - 7:00 pm

Stewart Kelly – Schubert’s Swansong

  • There are no events on this day.
  • There are no events on this day.
August 11
August 11 @ 6:00 pm - 7:00 pm

Melbourne Guitar Quartet – Flow My Tears

August 12
August 12 @ 7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

August 13
August 13 @ 7:30 pm - 10:30 pm Recurring

Stravinsky’s Ballets

August 14
August 14 @ 3:00 pm - 4:00 pm

The Lieder Society of Victoria: Erwartung – Markus Matheis & Dean Sky-Lucas

August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 20
August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

September 4
September 4 @ 3:00 pm - 4:30 pm

Wanderlust

August 14
August 14 @ 3:00 pm - 4:00 pm

The Lieder Society of Victoria: Erwartung – Markus Matheis & Dean Sky-Lucas

August 14 @ 3:00 pm - 4:15 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

August 14 @ 5:00 pm - 7:00 pm

The University of Melbourne Symphony Orchestra

August 14 @ 7:00 pm - 10:00 pm Recurring

Rutter’s Requiem and the 16th RMP Aria Final

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August 20
August 20 @ 2:30 pm - 4:00 pm

Real and Right and True – Lotte Betts-Dean and Calvin Bowman

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September 4
September 4 @ 3:00 pm - 4:30 pm

Wanderlust

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